How to make color woodblocks using Japanese kento registration by Jean Eger Once you have tried using kento-based registration to make multi-color prints, you probably won't want to go back to using a separate registration block. Kentos are slots cut into the wood of each block, for the paper to fit into. You won't need a separate registration block, nor will you have to put holes in your paper. Also, if the tracings are carefully done, the registration is very, very accurate.
I have created diagrams showing how these blocks can be made using tracings of your original design. This is the easiest way for a beginner to use the kento technique. (The traditional Japanese method of transfering the design to the block is done a little differently. It is done by pasting the original design, called a "hanshita" on to the block, and then cutting through it.)
Remember, what you are seeing on the woodblock will be printed in reverse on the print. After you trace your design, you will probably want to turn your tracing paper over and work from the other side.
When you are through carving your blocks, you may print using either oil-based or water-based inks. (The traditional Japanese method of printing used special brushes, similar to stencil brushes, and water-based inks which were created from pigments and rice-paste. This is usually too difficult for beginners, so I suggest you use Speedball inks and brayers, or oil-based inks and brayers.) Place the upper left hand corner of the paper into the L-shaped kento and then place the edge of the paper into the straight kento. If you have prepared the tracings exactly, the paper should register the same on each block.
-1- -2- -3- -4- -5- -6- -7- Place tracing #1 on the block, aligning the lower right corner of the picture area with the lower right corner of the block. -8- -9- -10- -11- -12- All images are copyright 1999 by Jean Eger Return to Jean's Printmaking Home Page
